Amy eisenfeld genser wiki

You may already be familiar with Amy Eisenfeld Genserwho creates sensational paper collages that depict underwater reefs and landscapes as they would appear from above. Images of her work caught my eye a couple of years ago as they made the rounds of many popular design sites.

 River Run 

48" x 72" x 5"
paper and acrylic on canvas

I thought it would be interesting, especially to those of us who work with strips of quilling paper, to ask Amy about her process.

River Runis four feet by six feet call me curious, but I couldn't imagine how anyone could possibly roll so many coils!

Lucky for us, Amy took the time to answer my questions even though she was preparing for the Architectural Digest Home Show in New York City that begins tomorrow and runs through the weekend (March ).

As you will read, what she does is verydifferent from traditional quilling - actually, it isn't quilling at all.

18" x 18" x 2"
paper and acrylic on paper 

Let's start at the beginning
How were you drawn to creating rolled paper designs?

I started to play around with paper sculpturally in graduate school.

I took a papermaking class at Rhode Island School of Design while studying for my MFA in Graphic Design. I fell in love with the medium.

Amy eisenfeld genser wiki fandom Her pieces bring to mind aerial landscape views, satellite imagery, and biological cellular processes. Amy Genser Description Amy Genser makes dimensional paper collages. During my workday, I listen to audiobooks. And to me, this is real art.

I was making all different shapes and landed on the rolled, layered module to create patterns, texture, and forms. I don't have time to make my own paper these days, but luckily there are amazing options available for sale. 

 Cove

36" x 48" x 3"

paper and acrylic on canvas

Please describe a bit about your work process and technique your favorite tools, paper, etc.

Do you use a variety of widths in the same piece?

These days I usually work with Thai Unryu [mulberry paper], but I have hundreds of papers in my studio from all around the world. I treat the paper almost as a pigment, layering colors one on top of the other to create different colors. My pieces are about a foot wide.

Then I roll one layer on top of the other in all different thicknesses. I seal the roll with acid-free, archival glue stick, and then cut the long piece into sections with scissors or pruning shears. I have pruning shears of all different sizes to accommodate different widths. 

 Mineral Yellow

18" x 18" x 2"

paper and acrylic on paper

Undoubtedly the making of art such as yours is time-consuming.

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Do you find the repetitive nature of the work relaxing or taxing?

The rolling and cutting process is actually pretty quick. At this point I could pretty much do it in my sleep. It's the composition/editing process that usually takes the longest. I paint my surface, either canvas or paper first, with acrylic and a lot of gel medium.

Then I place my paper pieces on top and manipulate them until I have a satisfactory composition. It's like putting a puzzle together, only I don't know the final picture until I see it. I roll my pieces accordingly as I develop and build the piece. It's a back-and-forth process.

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Amy Genser Perfects the Art of Paper - We-Ha

Amy Genser Perfects the Art of Paper - We-Ha

The paper and the piece lay on different tables in my studio. I attach the paper onto the canvas with PVA once I have the pieces where I want them.

Secret Beach
16" x 20" x 3"
paper and acrylic on canvas

I'm curious how you fit what you do in with everything else that goes along with daily life and raising a family.

Do you maintain regular studio hours?

My studio is on the third floor of my [Connecticut] home. I work about five hours a day while my kids are in school.

Amy eisenfeld genser wiki death Categories: Schools , Sports. With my kids being so young, it's easier to stay home and work with galleries, art consultants, and interior designers. What is the biggest challenge you encounter in your practice? I never planned on becoming a visual artist—it just developed.

I have three boys, ages 9, 8, and 5. It is a juggling act. My typical day is to get the kids off to school. hit the gym for an hour, and then come home to work. Because my studio is in my home, it's sometimes hard not to get "mess-tracted" as I call it (starting to do laundry, clean dishes, etc) but having the studio on another floor helps.

Amy eisenfeld genser wiki But, as they say, I know what I like. Editor: Kristen Evangelista. Subscribe to E-Newsletter. This art is that a million times over.

Going up the stairs is like crossing a threshold. I also listen to books on tape while I work. 

 

Paper rolling can be stressful on hand joints.

Do you find it to be a problem?

I take breaks.

Amy eisenfeld genser wiki images With my kids being so young, it's easier to stay home and work with galleries, art consultants, and interior designers. Amy, thank you for taking the time to tell us about your process. For artist Amy Eisenfeld Genser, going with the flow means doing something she loves every day. Save my name, email, and website in this browser for the next time I comment.

Even if I could work more, I don't think I would because it would be too harsh on my body.

Amy, thank you for taking the time to tell us about your process. Continued success to you! 

 

Amy's websiteand Facebook page. She is also on Instagram.